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MSH 334: Music Since 1945 (Spring 2017)

New Music in New York City
  • Home
  • About
    • Syllabus
  • Schedule of Classes
  • Assignments
    • Collaborative Blog
    • Listening Journal
  • Weekly Readings / Listening
    • 1. Dodecaphony & Serialism
    • 2. Other Modernisms & Neo-Classicism
    • 3. Traditionalists, Tonality, “Neo-Romanticism”
    • 4. Experimentalists, Radicals & Indeterminacy
    • 5. Global Encounters
    • 6. Simplicity and Process
    • 7. Experiments in Timbre and Texture
    • 8. Music & Politics
    • 9. Electronic Music + Sampling
    • 10. Jazz, Third Stream & Other Fusions
    • 11. Quotation, Parody, and Postmodernism
    • 12. Theater: Traditional & Environmental
  • Q & A

4. Experimentalists, Radicals & Indeterminacy

Overheads:American Experimentalists 2017

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Recent Posts

  • 11. Quotation, Parody, and Postmodernism
  • Vienna Art Orchestra – From No Time To Rag Time
  • Esperanza Spalding – Festival de Jazz de Vitoria-Gasteiz 2012
  • Alarm Will Sound Performs Aphex Twin and Music from ‘Hannibal’
  • Norah Jones Live at the Baloise Session
  • Sounds of the World: A Synthesis of World Music, Sampling and Soundscapes
  • Nick Vasallo – “The Moment Before Death Sretches on Forever, Like an Ocean of Time…”
  • For Massas by Viegas Pellerin Corda Orrù

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  • Janette Tilley on A reaction to Youtube video “Extreme jazz fusion reharmonization” by Adam Neely
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Activism Brazilian-inspired Cello Chamber Music Crossover CUNY Dance Music discussion Elecronics Electronic Electronics Environmental Experimental Film Free fusion guitar Harp Hip Hop Icelandic Improvisation Indian Indie Jazz Jazz fusion Laptop Minimalism multimedia New Music Opera Orchestral Percussion Piano Postmodernism recent trends String Quartet Tabla throat-singing Violin Vocal voice Women's Month woodwinds World Music youth composers
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