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MSH 334: Music Since 1945 (Spring 2017)

New Music in New York City
  • Home
  • About
    • Syllabus
  • Schedule of Classes
  • Assignments
    • Collaborative Blog
    • Listening Journal
  • Weekly Readings / Listening
    • 1. Dodecaphony & Serialism
    • 2. Other Modernisms & Neo-Classicism
    • 3. Traditionalists, Tonality, “Neo-Romanticism”
    • 4. Experimentalists, Radicals & Indeterminacy
    • 5. Global Encounters
    • 6. Simplicity and Process
    • 7. Experiments in Timbre and Texture
    • 8. Music & Politics
    • 9. Electronic Music + Sampling
    • 10. Jazz, Third Stream & Other Fusions
    • 11. Quotation, Parody, and Postmodernism
    • 12. Theater: Traditional & Environmental
  • Q & A

4. Experimentalists, Radicals & Indeterminacy

Overheads:American Experimentalists 2017

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Recent Posts

  • 11. Quotation, Parody, and Postmodernism
  • Vienna Art Orchestra – From No Time To Rag Time
  • Esperanza Spalding – Festival de Jazz de Vitoria-Gasteiz 2012
  • Alarm Will Sound Performs Aphex Twin and Music from ‘Hannibal’
  • Norah Jones Live at the Baloise Session
  • Sounds of the World: A Synthesis of World Music, Sampling and Soundscapes
  • Nick Vasallo – “The Moment Before Death Sretches on Forever, Like an Ocean of Time…”
  • For Massas by Viegas Pellerin Corda Orrù

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  • Janette Tilley on A reaction to Youtube video “Extreme jazz fusion reharmonization” by Adam Neely
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